Release : 1999-05-12
Genre : Drama, Romance
Runtime : 134 Minutes
Company : Degeto Film, Arena Films, Canal+
Cast : Guillaume Depardieu, Yekaterina Golubeva, Catherine Deneuve, Delphine Chuillot, Laurent Lucas, Šarūnas Bartas, Till Lindemann, Christoph Schneider, Markus Kirschbaum, Khireddine Medjoubi
Language : Français
Pola X 1999 - Are you know that movie Pola X that have a rating 6 is very strong liked by the community a lot. A fan film Pola X the first would certainly entertained with Pola X. Most greatly is the film's humor levels wait high. One of the things that it feels will be the trademark of the films Pola X.
But beyond this, the Pola X who began playing in theaters starting today, 1999-05-12, can still be a fun phenomenon, thanks to its high levels of humor. But that is different from the typical character of a kind of Acting, Guillaume Depardieu, Yekaterina Golubeva, Catherine Deneuve, Delphine Chuillot, Laurent Lucas, Šarūnas Bartas, Till Lindemann, Christoph Schneider, Markus Kirschbaum, Khireddine Medjoubi is indeed quite spectacular as well as evocative yet, but at least it gives a deeper dimension to various characters in the film.
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A writer leaves his upper-class life and journeys with a woman claiming to be his sister, and her two friends.
Another interesting thing from Pola X is the strain that woke up with intense enough, starting from the initial minutes. Unnecessary verbosity, this film directly in the core problem of the story.
From here, the plot directly running quickly. That makes the Pola X is more exciting, the Director successfully opened one at a time a twist in the story, from the beginning to the end of the film. As a result, audiences are increasingly happy to follow this film.
Since the film was released, teaser Pola X immediately set the curiosity. Yes, the film explores something new and making movies Pola X to draw on the watch. However, the concept of film Pola X about An erotically charged descent into madness. is one thing.
Not only that, all the elements that make up the film Pola X, ranging from acting to plot, support each other to build a very intense tension throughout the film. Don't be surprised if You will sit down while holding their breath in the spectator seats.
When Leos Carax's film POLA X premiered in 1999, it was seen then as part of the New French Extremity movement, with critics and audiences picking up on its unsimulated sex scene. Yet that forms only a brief few minutes of quite ample film. Two decades on, audiences of today ought to look past the sensation and appreciate the film for what it really has to offer: a convincing contemporary take on Hermann Meville's psychological novel PIERRE, and the way Carax interweaves Melville's structure of 19th-century wealthy elites with harrowing references to contemporary France, Bosnia and the plight of Balkan refugees.
The son of a deceased diplomat of some note, Pierre (Guillaume Depardieu) lives in splendor in rural France, in a manor house with his widowed mother (Catherine Deneuve). Things are going well for young Pierre: a novel he has written has become a bestseller and he is engaged to the lovely Lucie (Delphine Chuillot). But then he encounters a mysterious woman named Isabelle (Yekaterina Golubeva) who tells him in broken French that she is his half-sister, born to Pierre's diplomat father and an unknown Balkan woman. Isabelle is in fact less a character and more a spectral presence that haunts Pierre's life. Intrigued by this otherworldly creature, Pierre gives up his privileged existence and enters into a vividly depicted bohemianism that brings about his physical and mental decline.
POLA X prefers to tell its story more through visceral images than dialogue. In fact, the dialogue is deliberately stilted, allowing the film to dip in and out of its basis in Melville’s 19th-century novel. So much of the story of Pierre's decline is told through the bucolic idyll of the first half of the film and the brutal squalor he later chooses. This imagery is so strong that even if POLA X feels somewhat too tentative about itself to rank as one of the all-time greatest films, it has haunted this viewer's thoughts since watching it.
Another nice touch of POLA X is the close way in which Carax worked with the composer of the film's score Scott Walker, who was then fresh from his acclaimed album TILT. When Pierre leaves home after meeting Isabelle, he enters into a bizarre community of artists in an industrial setting, who seem to be hiding sinister plans behind their avant-garde work. It is here that Walker's score goes from the subdued strings of the first half of the film into brasher, more aggressive sounds. Carax has set things up so this music is both diegetic and non-diegetic, part of the outside narration of Pierre's psychological decline and contemporary political strife as much as the film's action itself.
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